![]() He skillfully draws on chroniclers, novelists, and memoirs, as well as personal observation, to build a picture of criollo character. To do this, he examines the relationships of the individual to other individuals, to collective groups, to society, to the state, and to external factors. Julio Mafud attempts to determine the Argentine collective personality through a historical survey tracing the development of sixteen salient character traits. He documents his argument from the Kinsey Report, whose relevance to Argentine society only independent investigation could determine. ![]() He dwells, for example, on sexual aberrations (a fetish which mars the work throughout) to prove middle-class Argentines frustrated, anxiety-ridden, and fearful. He sees this alliance crumbling during the Perón period, and concludes by prophesying a merger of the lumpenproletariat and the proletariat to force a society based on equality and full participation for all.Īlthough his observations on the manners and mores of Buenos Aires society reveal a sharp and observant mind, Sebrelli’s analysis is frequently supported by questionable evidence. Couching his analysis in Marxist terms, he postulates the existence of an unwritten alliance between the aristocracy and middle classes, the latter unwilling agents of the former, struggling to maintain social distance below and to close the gap above. Sebrelli seeks to describe the social and psychological characteristics of the aristocracy, the upper and lower middle classes, and the proletariat. Both support their analyses with historical documentation. Juan José Sebrelli and Julio Mafud analyze contemporary Argentine society, each presenting an interpretation of the dominant factors in that society. The four books under review reflect this trend. Their attempts to discover the “why” and “how” of economic growth, social change, and societal development within a historical context has added a new and promising dimension to Latin American historiography. This duality requires a careful consideration during the project for the intervention, not only restoration one but also a simple maintenance.Argentine scholars during the past fifteen years have increasingly sought to apply to the phenomena of Argentine history the analytical tools and hypotheses developed by sociologists, political scientists, and economists. The artificial stone artefacts are the result of a fine technological process, but also the product of a craft. Cultural and technical recovery is essential today for the conservation of these artefacts, through a necessary knowledge of these techniques, forming and installation work. The enhanced "eternity" of the cement has been proven untrue, and many façade or elements realized with artificial stone elements have already shown signs of advanced degradation and they need appropriate interventions. The spread of artificial stones began at the end of the XIXth century, when the application of “stucco” and “marmorino” was replaced by cement that, properly pigmented, appears like a natural stone. Cement and derived products have an essential role in the modern architecture language in particular the production of surfaces and artefacts realized by false stone (also know as artificial stone or litos-cement). The growing interest in the "Modern Architecture restoration raises new methodological and operational questions about a lot of building techniques extraneous to the historic tradition and new materials derived by industrial innovation in the early XXth century.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |